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The Norway lads had no idea of winning the game until they had admired the silver ball, which was in a silk-lined jeweler's case and looked very attractive.As they were admiring it, some of the Bowdoin boys told them how they were going to have it kept in a glass case and had picked out the place where it should be kept for the admiration of future generations.Over a disquieting Möbius strip keyboard line, she performs a wordless fanfare, sing-chants the verses, and splits into a choir of singers on the vocal hook. Hval goes deliberately flat, savoring the pulsating dissonance, until all that is left is a high, tensile note that wavers in either distress or desire.Rather than alienating, it’s actually inviting: a strange and powerful performance.By far the most significant figure among these songs is also the most human: Renée Falconetti, the silent-film star whose close-up in 1928’s is one of the most indelible images in the history of cinema.“The camera is a mirror, but mine, not yours,” Hval sings as an organ thrums in the background and a low bass note pulses on the downbeat.